Josh creates most of his music in a barn on his property that he’s converted into a studio. He produced and engineered the entirety of his new project himself; he’s been self-producing music since he was 15-years-old, and really dug into engineering and mixing when he moved to Los Angeles in 2002. He also plays 15 different instruments.
“My recording process has changed over the years,” he says. “I used to start a song and then begin the production process before the song was even finished. Now that I’m older I’ve changed my ways, and I make sure all of the structure, tempo, and lyrics are perfect. Then I drive over to my studio and try to wrap my head around how the song should live in people’s ears. It’s better for me to finish the song musically and lyrically before ever turning anything else on.”
On I Sing , Kelley solidifies himself as a talented vocalist and lyricist while tapping into the details of an everyday family. He’s watching his kids develop their own personalities and continuing to find new reasons to love his wife after close to 15 years together. He’s missing it all when he’s away from them. He says, outside of his family, the one other constant in his daily life is singing. Writing I Sing began with “Love Her Boy,” a smooth and soulful number that finds Josh delving into different uses for the phrase. He started experimenting with wordplay, which carries throughout the album.
“I was trying to write a totally different song on a plane back home from a Colorado festival,” he says, explaining that he wrote the title down and filed it away for a writing session he had the next day. “I brought the idea of ‘love her boy’ to the session. The different uses within the song create an oronym, two phrases that sound the same but mean different things. I think it’s a clever angle, and we had so much fun bringing it to life.”
“We Don’t Need The Money” finds Josh and co-writer Eric Kertes reversing their usual roles to create a funky groove; “Back To You” begs for a sing-along; “If That’s Alright” continues the theme. “You Can Count On Me,” with a cameo on background vocals from his daughters, takes its sonic inspiration from Bill Withers and Shuggie Otis. It was written with Alen Chang. “I was only a melody man and co-lyricist -- we talked about people in our lives that needed our support and what we would say to them if we were brave enough to say it,” Josh says. “I showed up to Alen’s house, and after describing the concept, he had the idea in his head within minutes. On this rare occasion, I was only a melody man and co-lyricist. The song was done by dinner time.”
“You And I,” written with Nashville songwriter Dustin Christensen, slows things down with an ode to an all-consuming kind of love. “I canʼt imagine my life without my person because we have created this safe place that is sometimes almost unbearable to leave,” Josh says. “I Want You Tonight,” “Because I Love You” and “Loves You Like Me” are straight-up love songs. “Iʼm a sucker for these and Iʼll keep writing them till the day I float away,” Josh says. Growing up in Augusta, Georgia, Josh absorbed R&B, soul, and vintage country, while also developing an affinity for classic rock. His musical family would often sit around their piano creating songs.
When he was 12, his older brother accidentally left his guitar at home when he headed back to college -- a month later, he was covering Led Zeppelin songs. The rest is history. “My sister’s husband, Kris, taught me different scales on the guitar and introduced me to Stevie Ray Vaughan,” he says. “I lost my mind on playing the blues for many years because of him. I learned from many of these songs that simple musical progressions lent room for more complicated and beautiful melodies.”
During their early teens, Josh and his younger brother Charles (now one-third of Lady Antebellum) formed a band, Inside Blue, whose self-released album gained local radio airplay and caught the attention of soul legend James Brown. Josh released his solo debut, Changing Faces , while attending the University of Mississippi. He then signed a record deal with Hollywood Records, which released his 2003 mainstream debut For the Ride Home . He found a Top Five single with “Amazing,” and his second album Almost Honest , included the Top Ten single “Only You.” Josh later released four independent albums — Just Say the Word, Special Company, Backwoods and To Remember — between 2006 and 2008. He released Georgia Clay in 2011 with MCA Nashville, and 2015’s New Lane Road with Sugar Hill Records. In 2017 he independently released an album of covers, titled Under the Covers, Vol. 1 , and a holiday album, Christmas Traditions . He has appeared on “The Ellen Degeneres Show,” “Good Morning America,” “The Tonight Show with Jay Leno,” “Live with Regis & Kelly” and “Last Call with Carson Daly,” and his songs have been featured on such shows as “Smallville,” “Scrubs,” “Brothers and Sisters” and MTV’s “The Hills.” Josh also wrote and performed the theme song for the TV sitcom “Mike and Molly,” scored the feature film H ome Sweet Hell , and created the theme song for TV’s Golf Channel.
“I will never stop creating music – it is in my blood and it is what I was put on this earth to do,” he says.
Josh Kelley launched his artist career in 2001 out of his college dorm room that propelled him into the
industry with his hit song “Amazing”. It was the most played song of the year on pop radio and topped the
charts at number 5. Since then Josh has toured with some of music’s biggest names including Taylor
Swift, Dave Matthews Band, and Lady Antebellum. Josh has been in his studio for the past two years
developing new music and his new record set to release in November of 2020. All of the songs to be
released on the project were written by Josh. The next chapter of Josh Kelley will be a further testament
of the artist and songwriter he truly is.
w/special guest Harper Grae